The Blood of the New Testament by D.
Themes are the fundamental and often universal ideas explored in a literary work. The Ever-Present Possibility of Resurrection With A Tale of Two Cities, Dickens asserts his belief in the possibility of resurrection and transformation, both on a personal level and on a societal level.
By delivering himself to the guillotine, Carton ascends to the plane of heroism, becoming a Christ-like figure whose death serves to save the lives of others. His own life thus gains meaning and value.
Moreover, the final pages of the novel suggest that, like Christ, Carton will be resurrected—Carton is reborn in the hearts of those he has died to save. Similarly, the text implies that the death of the old regime in France prepares the way for the beautiful and renewed Paris that Carton supposedly envisions from the guillotine.
Although Carton spends most of the novel in a life of indolence and apathy, the supreme selflessness of his final act speaks to a human capacity for change. Although the novel dedicates much time to describing the atrocities committed both by the aristocracy and by the outraged peasants, it ultimately expresses the belief that this violence will give way to a new and better society.
Dickens elaborates his theme with the character of Doctor Manette. The Necessity of Sacrifice Connected to the theme of the possibility of resurrection is the notion that sacrifice is necessary to achieve happiness. Dickens examines this second theme, again, on both a national and personal level.
For example, the revolutionaries prove that a new, egalitarian French republic can come about only with a heavy and terrible cost—personal loves and loyalties must be sacrificed for the good of the nation. Also, when Darnay is arrested for the second time, in Book the Third, Chapter 7, the guard who seizes him reminds Manette of the primacy of state interests over personal loyalties.
Moreover, Madame Defarge gives her husband a similar lesson when she chastises him for his devotion to Manette—an emotion that, in her opinion, only clouds his obligation to the revolutionary cause. In choosing to die for his friends, Carton not only enables their happiness but also ensures his spiritual rebirth.
The Tendency Toward Violence and Oppression in Revolutionaries Throughout the novel, Dickens approaches his historical subject with some ambivalence. While he supports the revolutionary cause, he often points to the evil of the revolutionaries themselves.
Dickens deeply sympathizes with the plight of the French peasantry and emphasizes their need for liberation. For in fighting cruelty with cruelty, the peasants effect no true revolution; rather, they only perpetuate the violence that they themselves have suffered. Dickens makes his stance clear in his suspicious and cautionary depictions of the mobs.
The scenes in which the people sharpen their weapons at the grindstone and dance the grisly Carmagnole come across as deeply macabre.Significant Energy E vents in Earth's and Life's History as of Energy Event.
Timeframe. Significance. Nuclear fusion begins in the Sun. c.
billion years ago (“bya”) Provides the power for all of Earth's geophysical, geochemical, and ecological systems, with . The Theme of Sacrifice to Realize the Value of Life in A Tale of Two Cities by Charles Dickens ( words, 1 pages) Throughout the book, A Tale of Two Cities the theme of sacrifice is used to help the reader realize the cost of life, as well as to develop the plot through the effects of those sacrifices.
As Dickens highlights a particular theme in "A Tale of Two Citie"; as readers, how is this theme relevant to us? used in A Tale of Two Cities by Charles Dickens? is about the . Saving Darnay this time, however, requires that Carton sacrifice his own life.
On the surface Carton appears to make the sacrifice simply out of love for Lucie and her child. However, by considering the theme of resurrection that Dickens has woven through the story, we realize that Carton is also giving his life to save his soul.
A Tale of Two Cities is one of the more tragic tints of the later life of Dickens. It might be said that he grew sadder as he grew older; but this would be false, for two reasons.
First, a man never or hardly ever does grow sad as he grows old; on the contrary, the most melancholy young lovers can be found forty years afterwards chuckAnd second. “It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.” ― Charles Dickens, A Tale of Two Cities.